Name: Sage and Rose Khesti Garden Panel, Hand-Knotted Silk Rug
Brand: RUGINZA
SKU: ZINS6232
Price: 500000.0 JPY
Availability: InStock

Sage and Rose Khesti Garden Panel, Hand-Knotted Silk Rug

1 / 10

¥500,000

税込。送料は会計時に計算されます。

Size

77×126cm

Color

Sage

Rug material

Silk

Only one available — one-of-a-kind.

Twenty-four small garden panels, six rows of four, each one a separate scene: a flowering vase, a weeping willow, a slim cypress, a spreading chinar, a boteh curled inside a cartouche, a fine jali lattice. No two neighbouring panels repeat. The grounds shift between pale sage, dusty rose, cream and soft gold, so the field reads as a quilt of small gardens rather than one continuous pattern.

Hand-knotted in silk at a fine gauge, which is what allows motifs this small to stay legible. The pile carries a directional sheen — walk to the other end of the rug and the sage panels lift while the rose ones deepen. An ivory-sage main border of rosette palmettes is framed by several narrow dogtooth guard bands, with a coral-red selvedge and a natural fringe at both ends. At 77×126cm this is a bedside, entry or accent piece; the pale grounds will show a spill, so it is happier away from a dining table.

Type: Hand-knotted pile rug
Material: 100% silk
Design: Khesti compartmented garden panel
Size: 77×126cm (2'6"×4'2") — Small
Colour: Sage and rose, with cream and gold
SKU: ZINS6232
One-of-a-kind: Yes

100% silk pile, hand-knotted, with a natural fringe at both ends. Silk is stronger than wool thread for thread but far less forgiving of moisture, friction and sunlight, so this rug asks for more care than a wool piece and should never be cleaned at home.

The pale sage and cream grounds will show a spill more readily than a dark rug would. Place it somewhere it is unlikely to meet food or drink, and use a rug pad underneath to stop it creeping and to take the abrasion off the foundation.

Khesti means brick or tile, and the name describes exactly what the weaver has done: taken the old Persian garden carpet — a walled garden quartered by watercourses — and reduced each planting bed to a single small tile. What began as one map of one garden becomes twenty-four separate ones. That is why the panels do not connect: each is meant to be read on its own, and the weaver deliberately avoids putting the same motif in adjoining squares so the eye keeps moving. Look for the willow and the cypress, which stand for mourning and eternity and are almost always placed apart from one another. Silk is what makes the design possible at this scale — a wool pile of the same gauge would blur the fine stems and the jali lattice into fuzz. It also means the rug changes colour as you walk around it, because silk reflects light along the direction the pile was tied.

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