Camel and Pink Rose Floral, Hand-Knotted Wool Rug
Camel and Pink Rose Floral, Hand-Knotted Wool Rug
Camel and Pink Rose Floral, Hand-Knotted Wool Rug
Camel and Pink Rose Floral, Hand-Knotted Wool Rug
Camel and Pink Rose Floral, Hand-Knotted Wool Rug
Camel and Pink Rose Floral, Hand-Knotted Wool Rug
Camel and Pink Rose Floral, Hand-Knotted Wool Rug
Camel and Pink Rose Floral, Hand-Knotted Wool Rug
Camel and Pink Rose Floral, Hand-Knotted Wool Rug
Camel and Pink Rose Floral, Hand-Knotted Wool Rug
Camel and Pink Rose Floral, Hand-Knotted Wool Rug
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Camel and Pink Rose Floral, Hand-Knotted Wool Rug

In Stock
通常価格¥500,000
/
税込。 送料は会計時に計算されます。
Size
Color
Rug material

Only one available — one-of-a-kind.

A finely hand-knotted double-knot rug from Pakistan, woven in 100% hand-spun wool on a cotton foundation in the gol farang or rose bouquet design. The warm camel field is covered with naturalistic sprays of full-blown roses in coral, rose pink, cream and gold, set among soft green leafwork with blue and navy blossoms scattered between, and drawn to a small floral medallion at the centre.

A slate-blue main border carries the same roses on a scrolling vine, framed by coral guard stripes and a plain camel outer band. A one-of-a-kind piece.

  • Origin: Pakistan
  • Type: Pakistani double knot, hand-knotted
  • Material: 100% wool
  • Design: Floral
  • Size: 185×279cm (6'1"×9'2") — Large
  • Colour: Camel field with coral and rose pink flowers and green leafwork
  • SKU: MD819131
  • One-of-a-kind: Yes

Material: 100 percent hand-spun wool on a cotton foundation, hand-knotted using the double knot.

Care instructions

  • Vacuum regularly on a low setting.
  • Rotate the rug every six months for even wear.
  • Blot spills immediately, working from the outside in.
  • Keep out of prolonged direct sunlight.
  • Have the rug professionally deep-cleaned when needed.

Gol farang means foreign flower, and it names the moment Persian weaving met European taste. In the nineteenth century, printed French and Russian textiles reached the bazaars of Kerman and Tabriz, and weavers began setting their stylised palmettes aside in favour of the rose as a European painter would draw it — full-blown, shaded, botanically real, with its own leaves and stem. The result is unlike almost anything else in the Persian repertoire: a field that reads as a garden rather than a pattern. Here the roses are scattered across a warm camel ground in coral and rose pink, gathered loosely towards a small medallion at the centre, with a slate-blue border carrying the same flowers around the edge. Woven in Pakistan on the double knot, the denser of the two knots used there, which is what allows the shading within each petal to be drawn at all.

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