Cream and Red Floral, Hand-Knotted Wool Rug
Cream and Red Floral, Hand-Knotted Wool Rug
Cream and Red Floral, Hand-Knotted Wool Rug
Cream and Red Floral, Hand-Knotted Wool Rug
Cream and Red Floral, Hand-Knotted Wool Rug
Cream and Red Floral, Hand-Knotted Wool Rug
Cream and Red Floral, Hand-Knotted Wool Rug
Cream and Red Floral, Hand-Knotted Wool Rug
Cream and Red Floral, Hand-Knotted Wool Rug
Cream and Red Floral, Hand-Knotted Wool Rug
Cream and Red Floral, Hand-Knotted Wool Rug
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Cream and Red Floral, Hand-Knotted Wool Rug

In Stock
通常価格¥500,000
/
税込。 送料は会計時に計算されます。
Size
Color
Rug material

Only one available — one-of-a-kind.

A hand-knotted double-knot rug from Pakistan, woven in 100% hand-spun wool on a cotton foundation in a classic Tabriz all-over floral design. The soft gold-cream field is filled edge to edge with a repeating lattice of flowering plants and vases, worked in muted sage, teal, rose and brick that give the piece a gently faded, antique character.

A deep ruby-red main border of palmettes and scrolling vine frames the field, with camel and ivory guard stripes stepping the design out to the selvedge. A one-of-a-kind piece.

  • Origin: Pakistan
  • Type: Pakistani double knot, Tabriz all-over floral design
  • Material: 100% wool
  • Size: 188×271cm (Medium Rugs (5x8 - 6x9))
  • Colour: Gold-cream field with ruby-red border and sage and teal florals
  • SKU: MD03116
  • One-of-a-kind: yes

Material: 100 percent hand-spun wool on a cotton foundation, hand-knotted using the double knot.

Care instructions

  • Vacuum regularly on a low setting.
  • Rotate the rug every six months for even wear.
  • Blot spills immediately, working from the outside in.
  • Keep out of prolonged direct sunlight.
  • Have the rug professionally deep-cleaned when needed.

The workshops of Lahore and its surrounding towns have long woven the great Persian city designs, and the double knot they use gives a dense, hard-wearing pile that holds fine detail well. This rug takes the Tabriz all-over floral as its model: rather than building to a central medallion, the gold-cream field repeats a lattice of flowering plants and vases across its whole surface, so the eye can settle anywhere. The colouring is what makes it — sage, teal, rose and brick kept deliberately soft against the ground, so the piece reads as though it has already had decades of light on it, while the ruby-red border holds everything firmly in place.

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