Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug
Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug
Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug
Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug
Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug
Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug
Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug
Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug
Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug
Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug
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Ivory and Camel Medallion Nain, Hand-Knotted Wool Rug

In Stock
通常価格¥500,000
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税込。 送料は会計時に計算されます。
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Only one available — one-of-a-kind.

A finely hand-knotted Persian Nain from the desert-edge town of Nain in central Persia (Iran), woven in 100% hand-spun wool. The ivory-cream field carries a classic Shah Abbasi arabesque — scrolling vines, palmettes and curled saz leaves — outlined throughout in the pale sky-blue linework that is the hallmark of Nain weaving.

A round radial medallion anchors the centre, built up in concentric rings of miniature palmettes, with deep navy spandrels at the corners and a broad salmon-camel main border framing the whole. A one-of-a-kind piece.

  • Origin: Persia (Iran)
  • Type: Persian Nain, Shah Abbasi floral medallion design
  • Material: 100% wool
  • Size: 175×255cm (Medium Rugs (5x8 - 6x9))
  • Colour: Ivory cream field with salmon-camel border and pale blue accents
  • SKU: XNCH-5854
  • One-of-a-kind: yes

Material: 100 percent hand-spun wool pile, hand-knotted on a cotton foundation.

Care instructions

  • Vacuum gently and regularly on a low setting.
  • Rotate the rug every six months for even wear.
  • Blot spills immediately, working from the outside in.
  • Keep out of prolonged direct sunlight.
  • Have the rug professionally hand-cleaned every few years.

Nain sits on the edge of the central Iranian desert, and since the 1930s its workshops have been known for some of the most finely knotted rugs in all of Persia. This piece is a textbook example: an ivory-cream field carrying a full Shah Abbasi arabesque of scrolling vines, palmettes and curled saz leaves, all drawn in the pale sky-blue linework that is Nain's signature. At the centre sits a round radial medallion built up in concentric rings of tiny palmettes, answered by deep navy spandrels at each corner and framed by a broad salmon-camel border. The restraint of that palette — cream, soft blue, camel and navy — is what sets a Nain apart from the more saturated weaves of Isfahan or Kashan, and it is exactly why these rugs settle so easily into a contemporary room.

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