Ivory Vase Cartouche Isfahan, Hand-Knotted Wool Rug
Ivory Vase Cartouche Isfahan, Hand-Knotted Wool Rug
Ivory Vase Cartouche Isfahan, Hand-Knotted Wool Rug
Ivory Vase Cartouche Isfahan, Hand-Knotted Wool Rug
Ivory Vase Cartouche Isfahan, Hand-Knotted Wool Rug
Ivory Vase Cartouche Isfahan, Hand-Knotted Wool Rug
Ivory Vase Cartouche Isfahan, Hand-Knotted Wool Rug
Ivory Vase Cartouche Isfahan, Hand-Knotted Wool Rug
Ivory Vase Cartouche Isfahan, Hand-Knotted Wool Rug
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Ivory Vase Cartouche Isfahan, Hand-Knotted Wool Rug

In Stock
通常価格¥500,000
/
税込。 送料は会計時に計算されます。
Size
Color
Rug material

Only one available — one-of-a-kind.

A very finely hand-knotted Persian Isfahan in 100% hand-spun wool, woven in one of the great workshop cities of central Persia (Iran). The ivory-cream field is worked as a subtle tone-on-tone damask ground and carries an all-over lattice of flowering vase cartouches, each drawn in deep indigo and outlined with coral roses and pale blue leafwork.

A broad salmon-camel main border of palmettes and scrolling vine frames the field, flanked by indigo guard stripes. The weaver's signature cartouche is woven into the lower border. A one-of-a-kind piece.

  • Origin: Iran
  • Type: Isfahan, hand-knotted
  • Material: 100% wool
  • Design: Vase Cartouche
  • Size: 159×236cm (5'3"×7'9") — Medium
  • Colour: Ivory cream field with salmon-camel border and indigo and coral detail
  • SKU: IF-7433
  • One-of-a-kind: Yes

Material: 100 percent hand-spun wool pile, hand-knotted on a cotton foundation.

Care instructions

  • Vacuum gently and regularly on a low setting.
  • Rotate the rug every six months for even wear.
  • Blot spills immediately, working from the outside in.
  • Keep out of prolonged direct sunlight.
  • Have the rug professionally hand-cleaned every few years.

Isfahan has been a centre of Persian court weaving since the Safavid era, when Shah Abbas made the city his capital and gathered its finest craftsmen around the great maidan. Its workshops still weave to that standard, and this rug shows why: instead of a single central medallion the ivory field is laid out as a repeating lattice of flowering vase cartouches, each one a self-contained bouquet in indigo, coral and pale blue, set against a tone-on-tone damask ground that only reveals itself as the light moves across the pile. A wide salmon-camel border of palmettes and scrolling vine closes the composition, and the weaver has signed the piece in a small cartouche at the lower edge — a mark of authorship that the best Isfahan workshops have kept up for generations.

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