Camel Gold and Rust Palmette Kilim, Hand-Woven Wool
Camel Gold and Rust Palmette Kilim, Hand-Woven Wool
Camel Gold and Rust Palmette Kilim, Hand-Woven Wool
Camel Gold and Rust Palmette Kilim, Hand-Woven Wool
Camel Gold and Rust Palmette Kilim, Hand-Woven Wool
Camel Gold and Rust Palmette Kilim, Hand-Woven Wool
Camel Gold and Rust Palmette Kilim, Hand-Woven Wool
Camel Gold and Rust Palmette Kilim, Hand-Woven Wool
Camel Gold and Rust Palmette Kilim, Hand-Woven Wool
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Camel Gold and Rust Palmette Kilim, Hand-Woven Wool

In Stock
通常価格¥500,000
/
税込。 送料は会計時に計算されます。
Size
Color
Rug material

Only one available — one-of-a-kind.

A hand-woven kilim from Afghanistan, made in 100% hand-spun wool. The camel-gold field carries an all-over design of large palmettes and serrated leaves on curving vines, drawn in crimson, indigo, teal, orange and cream, with a narrow column of rosettes running down the centre.

The wide rust-brown main border is the memorable part: a procession of stylised animals — birds and four-legged creatures — alternating with palmettes, framed by fine floral guard stripes. A one-of-a-kind piece.

  • Origin: Afghanistan
  • Type: Kilim, all-over palmette and vine design
  • Material: 100% wool
  • Size: 200×290cm (Large Rugs (8x10 - 9x12))
  • Colour: Camel gold field with rust border and crimson and teal palmettes
  • SKU: UAEK76143
  • One-of-a-kind: yes

Material: 100 percent hand-spun wool, flat-woven. No pile.

Care instructions

  • Always use a rug pad underneath — a flatweave slips easily without one.
  • Vacuum gently with the beater bar off.
  • Turn the kilim over every year — it is reversible and wears evenly if used both sides.
  • Blot spills immediately, working from the outside in. Pale grounds mark more readily than dark ones.
  • Have the kilim professionally cleaned when needed — never machine wash.

Animals in the border are worth pausing over. Weavers across Central Asia have always put creatures into their work — birds, dogs, horses, sometimes camels — and they appear most often in the border rather than the field, walking round the rug in procession as though guarding it. Here they alternate with palmettes on a rust-brown ground, drawn simply enough that you might take them for abstract devices until you notice the legs. The field is quite different in mood: large palmettes and serrated leaves on curving vines, spaced generously across a camel-gold ground, with a narrow column of rosettes running down the centre. It is a lighter, more open rug than most flatweaves of the region.

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