Burgundy Gül Bokhara
Burgundy Gül Bokhara
Burgundy Gül Bokhara
Burgundy Gül Bokhara
Burgundy Gül Bokhara
Burgundy Gül Bokhara
Burgundy Gül Bokhara
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Burgundy Gül Bokhara

In Stock
通常価格¥500,000
/
税込。 送料は会計時に計算されます。
Size
Color
Rug material

Only one available — one-of-a-kind.

A deep burgundy field carrying twelve Turkmen güls in two columns, each a lobed octagon outlined in black and quartered in ivory and gold around a small diamond centre. Cross-shaped minor güls in ivory, gold and olive stand between them down the centre and along both edges of the field. The main border is a black band of hooked arrow motifs, set between narrow guards of small ivory, gold and olive diamonds, with ivory fringe at both ends.

Hand-knotted in wool. The arrow motifs in the main border repeat in a fixed sequence of three colours — gold, olive green, then red — all the way round the rug. At 79×128cm this is an extra small rug — a doorway, bedside or small hallway piece.

  • Origin: Pakistan
  • Type: Pakistani Bokhara, hand-knotted
  • Material: 100% wool
  • Design: Turkmen gül, twelve in two columns
  • Size: 79×128cm (2'7"×4'2") — Extra Small
  • Colour: Burgundy
  • SKU: N 726369
  • One-of-a-kind: Yes

100% wool pile, hand-knotted in Pakistan, with ivory fringe at both ends. Wool is naturally resilient and hard-wearing, and the close pile of a Bokhara is made for everyday floor use.

Deep burgundy is one of the most practical colours a small rug can have: it hides everyday marks well and fades slowly. The ivory in the güls and the ivory fringe are the parts that will show dirt first at a doorway.

The field of this rug is the classic Bokhara layout — twelve güls in two columns, with minor güls between them — so the place to look for its character is the border. Follow the black band that runs around the rug and count the small hooked arrow shapes inside it: gold, then olive green, then red, then gold again. The weaver keeps to that three-colour order all the way round. It is a small discipline, but a telling one. A repeat of three colours along a border whose length is not a multiple of three has to be managed at every corner, and on a hand-knotted rug it is easy to lose count. Here the sequence runs steadily enough that the border reads as a slow, even pulse around the field, with the red arrows almost disappearing into the burgundy and the gold and green carrying the rhythm.

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